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Argopuro Mount Probolinggo East Java (2008)

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Affandi, The Legend of Indonesian Expresionist Painter

Affandi Koesoema (Cirebon, West Java, 1907 - May 23 1990) was a painter known as Maestro Painting Indonesia, probably Indonesia's most famous painters in the international world, thanks to a distinctive him style. In the 1950s he held many solo exhibitions in India, UK, Europe and the United States. A prolific painter, Affandi had painted more than two thousand artwork. Biography Affandi was born in Cirebon in 1907, the son of R. Koesoema, an orderly measuring the sugar factory in Tangerang, Cirebon. In terms of education, it includes a formal education is quite high. For people his generation, his education, MULO, and subsequently graduated from the AMS, including the education obtained only by a handful of country boy. However, his art talent is very strong beat other disciplines in life, and indeed has made his name famous the same as the figures or leaders of other fields. At the age of 26 years, in 1933, Affandi was married to Maryati, a girl born in Bogor. Affandi and M

Ethnoscience and Symbolic Anthropology

While many anthropologists in the early postwar years, especially in Britain, rejected attempts to turn anthropology into an accurate science, others went in the opposite direction. This was not only the case with the American cultural ecologists and the British methodological individualists, but also –perhaps surprisingly – with people working within the broad framework of American linguistic anthropology. Several of Sapir’s successors explored semantics and language structures in traditional societies in an accurate way. Some of these devised quantitative methods tailored to measure frequencies and connections between native terms, and worked closely with psychologists, linguists and others engaged in the emerging interdisciplinary field of cognitive science. Among the foremost of these were Harold Conklin, Charles Frake and Ward Goodenough, who all contributed to the development of ethnoscience in the 1950s. Ethnoscience was concerned with describing ‘cultural grammars’, through i

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